Saturday, May 28, 2011

Dynamic Effects Maya Techniques with Alex Alvarez Full DVD



Dynamic Effects Maya , Dynamic Effects Maya , Dynamic Effects Maya , Dynamic Effects Maya , Dynamic Effects Maya

When objects impact the ground, such as bullets or footsteps, one often expects to see an effect such as a puff of dust (dust hit) or a burst of debris. This four part tutorial demonstrates how to create dust hits and debris from bullets hitting the ground, fired by an animated jet fighter composited into a live action background
Sprite Rendering Fundamentals
Duration: 26 min

Sprite rendering of particles is an incredibly efficient and powerful method for designing an almost unlimited variety of effects. When particles are set to Sprites, an image or sequence (with transparency) can be mapped onto the individual particles. As any image can be used, the possibilities are endless: Snowflakes, optiFX, smoke, fog, dust, fire, splashes, flying birds, dust hits, etc. This tutorial demostrates the fundamental knowledge necessary to utilize sprite rendering in Maya. Shader set-up and managing PP attributes (spriteNum, spriteScale, spriteTwist, lighting) are discussed.
This tutorial demonstrates how to generate a volumetric ground explosion that is software rendered with cloud particles. Through the use of emitters, particles, fields, collisions, instancing, expressions, cloud shading, lighting, rendering and compositing, the effect is generated from scratch.


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Evermotion Vray-Volume Effect collection

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Evermotion The Archviz Training DVD

Evermotion The Archviz Training DVD , Evermotion The Archviz Training DVD , Evermotion The Archviz Training DVD , Evermotion The Archviz Training DVD


earn how to properly use vray and start creating professional vizualizations. This DVD with over 4,5 hours of narrated tutorials will teach you how to do it. DVD contains two complete architectural scenes (for 3d studio max) with all the materials, cameras and light setup, as well as many After effects and Photoshop project files. Pass filesonic: girlviet +

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Red Giant TV Video Tutorials for Adobe After Effects






Find episodes that put you on the fast track to creating the hottest motion graphics and visual effects. The shows feature one or more Red Giant products used in combination with the tools built-in to After Effects, Final Cut Pro, and Premiere Pro. Host Aharon Rabinowitz demonstrates the techniques you need to produce higher quality work in less time.
Tutorials:

01. Binary Transition Part 1
By Aharon Rabinowitz
This episode shows you how to use Trapcode Form to create a dramatic transition where footage breaks into binary code, and re-forms as different footage.

02. Binary Transition Part 2
By Aharon Rabinowitz
In this Episode, Aharon shows you how to improve on and finish the binary transition project by working with Time Remapping and Camera animation. Plus, see how Magic Bullet Looks and Trapcode Shine help add the finishing touches.

03. Looping a Particle System
By Aharon Rabinowitz
In this Episode, you'll learn how to set up a seamless looping particle system. We'll be using Trapcode Particular and Starglow to create a stylized holiday snowstorm, but the concepts can be adapted for anything from backgrounds to lower 3rds.

04. Better Compositing Techniques
By Aharon Rabinowitz
In this Episode, learn about compositing techniques that fall outside of keying. Using tools available for After Effects, Premiere, Final Cut Pro, Motion, Vegas and Avid, you'll discover ways to improve the quality of your composite with less work.

05. Controlling Time with Audio - Pt. 1
By Aharon Rabinowitz
In this episode, Aharon Rabinowitz shows you how to use audio to control time. You'll learn how to make your video automatically move forward in time to the music's beat - a technique used in tons of music videos and commercials.

06. Controlling Time with Audio - Pt. 2
By Aharon Rabinowitz
In this episode, Aharon continues to explore how audio can be used to control time, but he expands on that by showing you how it can be used to change the look of the footage as well.

07. Getting Better Control of Emitter Position in Trapcode Particular
By Aharon Rabinowitz
In this Episode, we'll look at some very useful techniques for Trapcode Particular that will give you better control of emitter position in 2D and 3D. You'll also learn how to capture the motion of your mouse (or stylus) to control emitter position.

08. Creating and Working with Complex 3D Projects
By Aharon Rabinowitz
In this episode, Aharon shares some tips for simplifying and working with 3D compositions. You'll also get a look at some cool tools designed to easily distribute and arrange layers in 3D space, and that help in creating complex 3D shapes.

09. Creating a Watercolor Painting Look
By Aharon Rabinowitz
In this episode, Aharon shows you how to turn your video into an animated watercolor painting, and shares some techniques in varying the look and color.

10. Creating Traffic Patterns
By Aharon Rabinowitz
In this episode, Aharon Rabinowitz shows you how to create a realistic traffic pattern backdrop - great for a scene in which the camera overlooks a low lying, but developed area - perhaps looking down from a high hill onto a residential neighborhood.

11. Form Face - Part 1
By Maltaannon
Create a slick push pin toy effect as seen in the Radiohead “House of Cards” video. This tutorial shows you how to create an eye-popping 3D effect by combining regular footage with Red Giant's popular Trapcode Form plug-in.

12. Form Face - Part 2
By Maltaannon
In part 1 of this tutorial, Maltaannon showed us how to create an awesome push-pin 3D face, using Red Giant's Trapcode Form. In part 2, he'll enhance the effect by going deeper into Form's properties, and doing some camera work.

13. Compositing with Final Cut Pro for That Media Show
By John Flowers
In this Episode of Red Giant TV, John Flowers takes us behind the scenes of That Media Show to share his workflow for compositing in Final Cut Pro.

14. Planning for Post in your Filmmaking Production Workflow
By Eric Escobar
Sundance acclaimed filmmaker/director Eric Escobar discusses the production process - scouting locations,casting, lighting, filming, and how one needs to plan for post production during these earlier steps.

15. Better Compositing with Particles
By Aharon Rabinowitz
In this episode of Red Giant TV, Aharon Rabinowitz shows you a technique for placing layers inside the middle of a particle system - crucial to truly integrating your CGI effects with your live action footage or motion graphics.

16. Better Compositing with Light Wraps
By Aharon Rabinowitz
In this Episode, Aharon Rabinowitz shows you how to get better compositing results with Light Wraps - an effect used to blend the background light and foreground elements more convincingly during a composite.

17. Color Grading in Final Cut Pro with Magic Bullet Looks
By Philip Bloom
In this Episode, award-winning director, Philip Bloom walks you through the process of color grading his film "Return to Dungeness" in Final Cut Pro, using Magic Bullet Looks.

18. Compositing Tips from 'Greenscreen Made Easy'
By Michele Yamazaki
In this Episode, the Toolfarm's Michele Yamazaki shares a ton of great compositing tips from her new book, Greenscreen Made Easy.

19. Creating a Transporter Effect
By Eran Stern
In this episode, Chief Engineer Eran Stern works furiously to get his Starship's transporters back on-line to rescue a fellow crew member trapped on a hostile planet. But time is running out. Will Eran be able to build the transporter in AE in time?

20. Creating a 3D picture Montage with Trapcode Particular
By Rob Birnholz
In this Episode, Rob Birnholz shows you a great technique for quickly creating a 3D picture montage with Trapcode Particular. It takes just minutes to set up, but can save you hours of work.

21. Creating a Text to Sand Transition
By Aharon Rabinowitz
In this episode of Red Giant TV, Aharon Rabinowitz shows you how to create the effect of text (or a logo) dissolving to sand and blowing away. You'll also learn how to reverse the transition, so that sand forms into text.

22. Creating a Summer Blockbuster Film Look
By Stu Maschwitz
In this week's episode, Sin City's Visual Effects Supervisor - and our new Creative Director - Stu Maschwitz, shows you how to get the Summer Blockbuster look seen in Transformers 2, Terminator: Salvation, and The Taking of Pelham 1-2-3.

23. Peel-Away Vortex Transition
By Aharon Rabinowitz
In this episode of Red Giant TV, Aharon Rabinowitz shows you how to create an insanely cool transition for text and other elements. This tutorial builds on RGTV Episode 21, where Aharon covered a text-to-sand transition, so make sure to check it out.

24. An Introduction to Trapcode Particular 2
By Maltaannon
In this Episode of Red Giant TV, Maltaanon returns with an introduction to the new features in Trapcode Particular 2. More than just an overview, you'll see several real-world examples that will help jump start your work with Particular 2.

25. Creating a Crowd Scene with Particular 2
By Harry Frank
In this rockin' episode of Red Giant TV, Motion Designer Harry Frank shows you how to create a realistic crowd scene using Trapcode Particular 2. He'll also create a similar scene using Trapcode Form.

26. Score! Working with Numeric Text
By Harry Frank
In this episode of Red Giant TV, Aharon Rabinowitz gives you some cool tips for working with Numeric Text, for things like video game scores and other digital readouts. No 3rd Party Plug-ins are used in this tutorial - Just straight After Effects.

27. Building an Airport Scene - Part 1: Backplate
By Mathias Mohl
In this episode of Red Giant TV, Mathias Mohl shows you how to take footage of a parking lot, and turn it into the back plate for an airport scene.

28. Building an Airport Scene - Part 2: Compositing
By Mathias Mohl
In this episode of RG TV, Mathias Mohl continues his airport project. Learn how to motion track with Mocha For After Effects, and then to use that data along with his own MochaImport script to easily create a solid composite.

29. Form Text
By Tim Clapham
In this Episode of Red Giant TV, Tim Clapham shows you how to use Trapcode Form to create some particle-based 3D text along with a cool transition on and off.

30. 3D Motion Graphics Logo
By Carl Larsen
In this tutorial, Carl Larsen shows you how to create an array of 3D particles using Trapcode Form and Red Giant Plane Space to achieve a look that, under most circumstances, has been reserved for more complex, 3d applications.

31. Creating an Old-School Sci-Fi TV Opening
By Chad Perkins
In this episode of Red Giant TV, Chad Perkins shows you how to create various elements for use in a Twilight Zone-esque TV show opening, using After Effects, Photoshop, Illustrator and Cinema 4D. Get ready to kick it old-school...

32. Feature Film Title Treatment
By Chad Bonanno
In this episode of RGTV, Chad Bonanno shows you how he created the motion graphics titles for the feature film "Dreamgirls." These titles were also used in the broadcast ads and trailers for the award-winning film.

33. Creating a Death Eater Apparition Effect
By Michael Park
In this episode of Red Giant TV, Michael Park shows you how to create the Death Eater Apparition Effect, as seen in the "Harry Potter" films.

34. 3D Thunderstorm Scene
By Robert Hranitzky
In this episode of Red Giant TV, Freelance Designer Robert Hranitzky shows you how to take 2 still images and use them to create a realistic 3D Thunderstorm scene - along with the help of Photoshop, After Effects, Trapocode Particular and Horizon.

35. Creating a Christmas Tree with Trapcode Particular
By Michael Park
In this episode of Red Giant TV, Michael Park returns to us with a fantastic tutorial on creating a Christmas tree (complete with lights and star at the top) with Trapcode Particular. You'll also use Trapcode Starglow to enhance the look.




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FXPHD Maya 2011 Lighting And Rendering









This course is aimed at those who want to gain a greater understanding of digital lighting and texturing using both mental ray and Pixar's RenderMan for Maya. The course will cover not only what the tools do, but also why and when you would use then.




http://www.wupload.com/file/2851555
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Advanced Visual Effects 3DS Max Volume 3

Advanced Visual Effects 3DS Max Volume 3   , Advanced Visual Effects 3DS Max Volume 3   , Advanced Visual Effects 3DS Max Volume 3   , Advanced Visual Effects 3DS Max Volume 3   , Advanced Visual Effects 3DS Max Volume 3 



The much anticipated Advanced Visual Effects series returns with Volume 3, focused on many of 3D Studio Max's advanced solutions for visual effects for use in both Hollywood feature films and game cinematics.

Taking advantage of many of the latest technologies and utilized to create ground breaking new approaches to visual effects, Allan McKay takes us through over 11 hours of training content on subjects such Fume FX, Krakatoa, Rayfire, Compositing, Advanced FX Rigging, Simulating water, Fracturing, Fire, Maxscripting to build sophisticated production tools and many new dynamics set ups such as used with Pflow Tools Box 2.





http://www.filesonic.com/file/436099661/Advanced_Visual_Effects_Vol_3.part01.rar
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Video Tutorials for Adobe After Effects Volume 7








Video Tutorials for Adobe After Effects  Volume 7  , Video Tutorials for Adobe After Effects  Volume 7  , Video Tutorials for Adobe After Effects  Volume 7 , Video Tutorials for Adobe After Effects  Volume 7  , Video Tutorials for Adobe After Effects  Volume 7

Aetuts+ is a site made to house and showcase some of the best After Effects tutorials around. We publish tutorials that not only produce great effects, but explain them in a friendly, approachable manner. We also stock up links to tutorials, articles, presets and plugins from around the web to help you get the most out of After Effects.

142. Double Stuffed Tracking Walkthrough
We’ve seen lots of tutorials on how to do basic planar tracking, but we’re gonna take it to a hole notha level. This tutorial demonstrates how to use 2D planar tracking and 3d tracking together to create graphics that pop off a board that you can hold and walk with.

143. Give Your Video A Pencil Sketched Look
I think we all used to create little cartoons in school by drawing on each page of your text books and flipping through them to animate. Well, lets all save a tree. In this tutorial we’ll be creating a similar looking animation in AE using Trapcode Particular’s Aux Particles. From there we’ll bring it over into Photoshop and learn a little bit about how to apply filters to video with the help of Filmstrip format.

144. Generate a Dynamic Morphing Background Design with Sinedots
In this tutorial you will learn how to work and use the free plug-in Sinedots, which is a very powerful tool for creating interesting abstract motion background. There haven’t been many good tutorials for this plug-in so I hope you find this useful!

145. Get Brilliantly Better Balcony Backdrops
This tutorial explains how to do basic compositing using After Effects. We will be covering how to do sky replace and get a matte using Luma Keys and add 3D layers of elements to build a basic composite.

146. Track Your Golf Swing Form Like A Master
Use Motion Tracking to create a motion swing path behind a golfer’s club head. This effect would work perfectly to show your friends how bad they need to work on their form… just a thought. But honestly, this simple principle can be used to create endless effects and could really spice up any sport-themed projects you work on.

147. Create A Beach Themed “Water Writing” Look
This tutorial is about how to Write with Water inside After Effects without any using for the 3d party plug-ins. So if the Summer heat gets to you, just go inside for a while and watch this tutorial to cool down. Don’t forget your sunscreen and enjoy Writing with Water!

148. Generate Your Own Splendid Spirographical Designs
Today, we’re going to resurrect a classic drawing toy in After Effects using an expression tied into a few custom sliders. I used Trapcode Particular 2.0 to display the resulting animated patterns but CC Particle World could be used almost as easily and the results can be used in a myriad of ways for your projects. Or you can just experiment and see what kind of unique shapes you can generate just by changing a few numbers.

149. Use Color To Control Your Textures – Part 2
In the second part of this tutorial you will learn how to animate the cubes bounce in a realistic manner. using only expressions linked to a custom made “control panel”.
A very useful, and time-saving technique to easily control and manipulate expressions.

150. Discover How To Recreate the Sherlock Holmes End Credits Effect
After Effects, my dear Watson! This tutorial uses hand drawn elements, textures, and pre-matted motion elements to recreate a look that is similar to the Sherlock Holmes credits. It gives you basics to build on. The great thing about this effect is that it is made to look organic and not 3D and effects heavy, but it still turns out looking really professional. It does not require very much expertise in free hand drawing seeing that all you have to do is trace a still image. Take this tutorial and build upon it to create something awesome.

151. Welcome CS5! An Intro To The New “Roto Brush”
A HUGE welcome to After Effects CS5! In this tutorial, I’ll be going through and explaining the new “Roto Brush” tool included within CS5. It isn’t a “keyer”, it’s not quite a “magic wand”, I wouldn’t even call it a “pen”. You’re just gonna have to watch the tutorial to find out what this amazing new feature is made of!

152. Animate An Underground Map Without Keyframes In Motion 4
In this tutorial you will learn how to create and animate the map of your favorite city underground with Apple Motion 4. Behaviours will be our friends to avoid the use of keyframes. They are one of the most powerful tools in Motion to speed up your work.

153. Create A Realistic Glass Reflection
Transparency is an important element to reflect in one’s relationships and if we can help you in that area it’d be our pleasure! In this tutorial you’ll find out how to create a realistic glass reflection on a 3D object, created within After Effects. We’ll then simulate a normal pass and have it reflect the environment with the “normality” free plug-in.

154. Make A Stop At An Old Deserted Motel
Learn how to composite a multi-purpose short scene using still pictures and .vpe files. We will be using the 3d resources in AE to make the pictures blend together. In addition, a new technique to achieve a different neon text effect and more compositing tips. Lets hit the road!

155. Give Your Title A “Gamer” Like Glitch
In this tutorial we are going to make a distortion effect, similar to the intro titles in ‘Gamer’. We start of by creating a stylized text in Photoshop, and making some cool distortions with Photoshop filters. After that we go into After Effects to animate the photoshop layers into a sequence, and stylize the sequence to make it look even cooler.

156. Workflow In Zaxwerks ProAnimator Part 1
3D movies, 3D televisions, 3D on the desktop. Everything cool these days is in 3D! For an animator, there is no faster way to create professional 3D animation than with the Zaxwerks ProAnimator. Everyone’s heard of it, and in this 32 minute tutorial Rob Birnholz will teach the basics of how it works. This is not a sales pitch, but an actual workflow. For the basics, After Effects is not required, but the tutorial steps are same for both the standalone ProAnimator application and the AE plug-in version. A trial version of ProAnimator can be downloaded from www.zaxwerks.com.

157. Workflow In Zaxwerks ProAnimator Part 2
In this tutorial you’ll learn how to use the Zaxwerks ProAnimator After Effects plug in to open an existing Zaxwerks project inside After Effects and use the Layer Maps feature to add animated texture maps and filter effects to a 3D model. To view Part 1 Click Here.

158. Create A Techie Math Animation
In this tutorial we are going to make a create an animated web-like animation that you can use for any tech-oriented project you may have on the horizon. We’ll be using basic shapes, precomps, and a quick expression. The process is simple, but the options are endless…

159. Soak Your Logo With CC Glass
Somebody grab a towel cause we got a damp tutorial on our hands. We’ll be using inverted mattes to create a sopping wet logo that’ll leave you drenched.

160. Build Some Sturdy Steel Structures – Day 1
In this two part tutorial we’ll explain how to make a logo with a 3D simulation of a steel structure using Cinema 4D and establish the movement. Tomorrow we’ll be bringing our renders over into After Effects to put it all together.

161. Build Some Sturdy Steel Structures – Day 2
In this two part tutorial we’ll explain how to make a logo with a 3D simulation of a steel structure using Cinema 4D and establish the movement. Today we’ll be bringing our renders over into After Effects to put it all together. You can watch part one here.

162. Audio Reactant Time Remapping
In this tutorial, we’ll learn how to do some experimental animation on a footage based on music. For this effect we’ll dive into learning time remapping, waveform and a bit about expressions as well.

163. Recreate The Matrix Chopper Scene
In this 3ds Max/AE combo tutorial, you will learn how to make a stream of raining bullets using PF source in 3DS Max and then combine all the elements together in AE to give a stunning “Matrix-like” effect.

164. Composite A Live Action Jet Flyby – AE Part
In this 2 Part, 45 minute tutorial we’ll go over the process involved with compositing a jet, helicopter, or even a UFO into your live actions scenes. You can watch Part One over on CGtuts+ before you watch Part Two below.

165. Enter A 3D Samurai Chamber – Day 1
In this tutorial, we will build an entire 3D samurai chamber entirely within After Effects. From there we’ll animate a camera to fly through it as we light the whole scene. Finally, we take a look at depth of field. So there is a lot to cover!

166. Enter A 3D Samurai Chamber – Day 2
In this tutorial, we will build an entire 3D samurai chamber entirely within After Effects. From there we’ll animate a camera to fly through it as we light the whole scene. Finally, we take a look at depth of field. So there is a lot to cover!















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